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M. Gira/Jarboe/Swans/Young God Records


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Rekomendowane odpowiedzi

Opublikowano

Bez zbednego wstepu bo chyba kazdy mniej wiecej wie o co cho

 

Oto pierwsza znaczaca pozycja w katalogu Young God Records, wytworni zarzadzanej przez Michaela Gira. Zeszloroczny album grupy Akron/Family jest jest wypelniony po brzegi optymistycznymi pioseneczkami w ktorych Ci kosmici probuja nam wmowic rozne rzeczy. Sztampy nie ma, bynajmniej. Chlopaki solidnie odrobili prace domowa i az zadziwiaja sprawnoscia z jaka manewruja po poszczegolnych tematach muzycznych. A to zabiora cos z country, a to z gospela, a to jakas balladke walna. Wszystko polane przepysznym freak-folkowym sosem i wymieszane w jednym kotle. Ba! Chłopaki nie stronia nawet od wstawek turntablismu czy pseudo-impowizacji podsmiewujac sobie z Zornowskiego Painkillera. Ogolnie plyta nie nudzi, i choc nie jest to poziom 'We Are Him' formacji 'Angels of Light' to i tak chce sie tego sluchac. Optymistyczne nutki w sam raz na napierdalajacy na oknem deszcz i ogolna szarugę.

 

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Akron/Family - [Love is Simple #01] Love, Love, Love (everyone) [1:46]

Akron/Family - [Love is Simple #02] Ed is a Portal [7:32]

Akron/Family - [Love is Simple #03] Don't be afraid, you're already dead [4:36]

Akron/Family - [Love is Simple #04] I've Got Some Friends [3:10]

Akron/Family - [Love is Simple #05] Lake Song/New Ceremonial Music for Moms [7:25]

Akron/Family - [Love is Simple #06] There's So Many Colors [8:11]

Akron/Family - [Love is Simple #07] Crickets [3:59]

Akron/Family - [Love is Simple #08] Phenomena [3:47]

Akron/Family - [Love is Simple #09] Pony's OG [5:20]

Akron/Family - [Love is Simple #10] Of All The Things [7:41]

Akron/Family - [Love is Simple #11] Love, Love, Love (Reprise) [3:07]

 

http://mlodyboug.diinoweb.com/files/UP/%5B...Is%20Simple.rar

 

bierzcie i cieszcie sie

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Top użytkownicy w tym temacie

Opublikowano

http://en.wikipedia.org/wiki/Swans_(band)

 

w skrocie - jeden z najbardziej znaczacych bandow, a napewno najbardziej 'wplywowych' na pokolenia muzykow. Najpierw grali ciezko ciezko czego dowodem jest chociazby 'Filth' - taki Streetcleaner, ale wydany w '83 roku. Po jakim czasie doszla Jarboe i grali bardziej melodyjnie az do 'Soundtracks For The Blind' na ktorym walili 'gotyckie balladki', ambienty etc. Ogolnie bylo mroczno, ciezko, ale bez halasu a raczej z budowaniem klimatu. Po ww. plytce Swansi przestali istniec a Gira i Jarboe poszli w swoje strony wydajac wiecej lub mniej bardziej lub mniej udanych plyciw. Ogolnie warto znac.

 

moreyouknownc1.png

Opublikowano

Dla mnie za ciężkie, zresztą tak samo, jak Godflesh. Jak sobie tego słucham, to po chwili albo wyłączam w(pipi)iony, albo chce mi się rzygać.

 

To znaczy, Swans. Nie wiem, jak to coś, no bo jak podobne do Swans, to nie będę słuchał.

 

P.S. "Body to Body..." to jedna z najbardziej depresyjnych płyt, jakie zrobiono, no rzeź.

Opublikowano
Optymistyczne nutki w sam raz na napierdalajacy na oknem deszcz i ogolna szarugę.

 

bierzcie i cieszcie sie

Ano dokładnie, pozytywne granie polecam.

Opublikowano
Coś mało ten Akron podobny do Swans. W zasadzie to w ogóle.

 

ja tam nigdzie nie pisalem, ze Akrony maja cos wspolnego ze Swans;] oprocz wytworni ofkors, Gira teraz zreszta tez zupelnie inne rzeczy nagrywa. W przyszlym tygodniu wrzuce pare jego plytek.

  • 3 tygodnie później...
Opublikowano

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The Angels of Light - We Are Him

 

Michael Gira wspierany przez muzyków Akron/Family na IMO najlepszej plycie formacji 'TAoL'. 'We Are Him' to dwanaście niesamowitych utworów oscylujących wokół alt-country i 'nowego' folku. Płyta, mimo, że bardzo spójna klimatycznie, jest niesamowicie zróżnicowana dźwiękowo. Pojawia się tutaj i gospel, coś około rockowego, jakieś balladki, elementy post-rockowych soundscape'ów itakdalej itympodobne. Album jest niesamowicie przejmujący, głos Giry (?) to absolut, nieskazitelnie czysty oraz przekazujący mnóstwo emocji w czym pomagają świetne teksty piosenek. Szczerze mówiąc, nie wiem co dalej mogę napisać o tym albumie. (Stosunkowo) Niewiele jest w moim katalogu ocen 10/10, ale nie mogę nic innego jej wystawić. Uzależniający album od którego ciężko się opędzić a przy tym wzorowo zagrany, zaśpiewany, wyprodukowany, wydany i ukradziony. Wiem, że jeżeli w tym momencie bym ją włączył to wyleciałaby z plejera dopiero za pare dni. Moc.

na dole jeszcze zapodam recenzje z biczdorka

 

The Angels Of Light - [We Are Him #01] Black River Song [3:15]

The Angels Of Light - [We Are Him #02] Promise Of Water [5:27]

The Angels Of Light - [We Are Him #03] The Man We Left Behind [5:51]

The Angels Of Light - [We Are Him #04] My Brother's Man [4:18]

The Angels Of Light - [We Are Him #05] Not Here/Not Now [5:42]

The Angels Of Light - [We Are Him #06] Joseph's Song [4:03]

The Angels Of Light - [We Are Him #07] We Are Him [4:11]

The Angels Of Light - [We Are Him #08] Sometimes I Dream I'm Hurting You [6:27]

The Angels Of Light - [We Are Him #09] Sunflower's Here To Stay [3:01]

The Angels Of Light - [We Are Him #10] Good Bye Mary Lou [3:08]

The Angels Of Light - [We Are Him #11] The Visitor [4:35]

The Angels Of Light - [We Are Him #12] Star Chaser [5:50]

 

http://mlodyboug.diinoweb.com/files/UP/%5B...20Are%20Him.rar

 

A year ago, writing for Perfect Sound Forever, Brian Hell buried himself in a series of questions about lyrics with Michael Gira. The Angels of Light Sing "Other People"-- the fifth album from Gira's prime project since Swans' end in 1997-- had just been released. The most telling question and answer refer to "Simon Is Stronger Than Us", a playful song with Akron/Family, then Gira's backing band, teasing his broad baritone with yelps for harmonies. Hell inquired if the line "And Francis did that, too, though Francis trawled London and made no excuse" was a reference to Irish painter Francis Bacon: "Well yes, I am referring to Francis Bacon there, very astute of you," the singer replied.

 

Of course Gira would reference Bacon, call him by name even: Articulating with screams, something Bacon specialized in while painting, has been paramount to Gira's aesthetic for a quarter century now. On We Are Him-- his sixth and arguably most engaging album as Angels of Light-- he lands some of the best of those complete releases. Gira seems more empowered and commanding than he has in a decade, the emotions he's conveying coming in huge fits that, like Bacon's, are as powerful as they are draining. He's backed by one of the most impressive guest lists of the year (Akron/Family providing the basic tracks, plus new friends or longtime collaborators Larkin Grimm, David Garland, and Bill Rieflin), but one must understand that this is Gira's album. He lets it all out and wastes little time: Four seconds into the colossal opening track, "Black River Song", for instance, a thick electric bass knock pumps against every heavy drum hit and compacted guitar sinew: "Black river runs/ beneath this ground/ Black river flows forever/ But he makes no sound." The chorus-- some variation of the series, "Fading, growing, breathing, flowing," sung by Gira and female voices-- is sinister, challenging and almost sexy.

 

A track later, a rocking-chair rhythm moans beneath Gira's snarl. He's rarely sounded this foreboding: Prodded by a scathing, raw violin drone and a daring chorus of sirens, it's an escalating dirge for the collapse of society, full of floods, blood and mouths too stupid to scream. Beneath an electric guitar twitter, heavy drums and furious strings on "My Brother's Man", Gira hands down these imprecations: "I walk through the thick black mud. I walk with my brother's blood. I see with my brother's eye. I scream at my brother's sky." Swans, anyone?

 

But this record isn't so simple. "My Brother's Man" notes that the brother is capable of murder and so is Gira. But it embraces the relationship, vowing to crush god "in my fucking hand" for the sake of fraternal legacy. It's protective, triumphant. The subsequent "This Is Not Here"-- a dark duet with Gira's wife, Siobhan Duffy-- offers the lovers choices and endings: Will the world steal the sun, or will the lovers touch the light? "Will you dream that we breathe?" It's not about anger or fatalism. In 1984, Gira screamed about burning and eating hearts on "Raping a Slave"; in 1995, he sang about supplication to God while witnessing the fragility of the world during "Our Love Lies". We Are Him is a near-perfect, totally committed summation hammering at the same unresolved archetypes from someone who's now a father.

 

That's not to say that this album is without its share of misses, or at least the occasional artistic anomie that has, by now, become a requisite of Gira's work. Those songs aren't better left unsung: "Goodbye Mary Lou" has a purpose, its rhythm an uneasy country twitter that leaves Gira little room to do much but say exactly what he's feeling. The first verse ends "Mary Lou, I renounce you"; the second, "Mary Lou, fuck you"; and in closing, the indiscretions of young anger that have been boiling for a lifetime come crashing down with a wink: "Oh Mary Lou, I forgive you."

 

We Are Him is ultimately about getting by, about trying to survive with a family and a faith at a time when "the dogs...howl as the street fills with blood." Gira, at 53, continues to evolve, to challenge himself, to question his beliefs. As long as he does that, every song won't roar like the perfect first two tracks of We Are Him or have the brilliant gospel insistence of the title track. The slight, charming chamber pop he tries won't always work as it does on "Sunflower's Here to Stay", a song that pushes for persistence. Luckily, doing otherwise has never been an option for Gira.

 

na stronie wytworni macie sample jakby ktos sie wachal/nie wiedzial czego sie spodziewac:http://younggodrecords.com/Releases/Detail.asp?C=291

Opublikowano (edytowane)

szczurek, ściągnałęm pierwszą płytę jaką tu wrzuciłeś. jeśli to jest twoim zdaniem wesoła muzyka, to nie chcę wiedzieć, jaka jest w takim razie wg. ciebie smutna.

 

zaraz to drugie sprawdzę.

 

ctrl+a->delete->opróżnij kosz.

Edytowane przez Blok
Opublikowano

Jak mówisz, że 10/10, to obadałem. Fajne, ale ja bym takiej oceny nie wystawił. Nadal nie łapię, co to ma wspólnego ze Swans.

  • 2 miesiące temu...
Opublikowano
swansfilth3.jpg
Swans - Filth [1983]

Swans - [Filth #01] Stay Here [5:37]
Swans - [Filth #02] Big Strong Boss [3:02]
Swans - [Filth #03] Blackout [3:47]
Swans - [Filth #04] Power for Power [5:53]
Swans - [Filth #05] Freak [1:13]
Swans - [Filth #06] Right Wrong [4:43]
Swans - [Filth #07] Thank You [3:53]
Swans - [Filth #08] Weakling [5:20]
Swans - [Filth #09] Gang [3:19]
Swans - [Filth #10] Speak [4:31]
Swans - [Filth #11] Laugh [4:07]
Swans - [Filth #12] Sensitive Skin [6:16]
Swans - [Filth #13] Take Advantage [4:29]


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Rzecz z czasów, gdy Justin Broadrick nagrywał ambienty na kaseciaku ojca pomiędzy kolejnymi przesluchaniami plyt Neila Younga, Trent Reznor grał covery popowe z jakims gej-bandem a rodzice Steve'a Austina walczyli w sądzie z lekarzem który miał zniszczyć struny głosowe ich syna poprzez użycie helu zamiast tlenu. Uprzedzam - ta płyta jest ciężka jak sam skurwysyn. Jeżeli słuchaliście Streetcleanera to pomnóżcie to sobie razy dziesięć. Nihilistyczne teksty wykrzykiwane przez młodziutkiego Michała Girę, w tle zaś bezkształtne, "walcowate" granie gitary, pogięta perkusja plus odgłosy uderzeń w blachę przeróżnymi przedmiotami. Posłużę sobię recenzją z allmusicguide:

With only Gira and Kane carrying over from the first EP's lineup, the truly bizarre thing about Swans' first full release is that, in its own angry beyond all anger way, you can actually dance to it at very brief points. Admittedly, spasmodic jerking-around might be the more expected response (and given that Gira physically attacked an audience member at a show around the time of this album's release for "getting into it too much," maybe the safer one). But the point remains that the overwhelming angst-and-death on songs like "Big Strong Boss," with lyrics like "Cut my throat, kill me snake, do what I say, you're the boss, " sometimes gets married close enough to a groove that it's almost surprising. For the most part, though, the drums (courtesy in part of future Young Gods producer Roli Mosimann) pound away almost like a ritual, doomy bass and grinding guitars sound like prime Black Sabbath at even danker levels of destruction, and Gira sounds like he's ripping his soul from his throat every time another lyric is half-barked, half-wailed, sometimes with a little electronic distortion help. As might be guessed, the only light in the lyrical tunnels comes from an oncoming train, as song titles like "Power for Power" and "Weakling" would indicate; even "Thank You" has lines such as "This smells sour, burn my face." Norman Westberg's guitar work has a definite power to it, and occasional studio manipulations like the chopped up/sped up "Freak" keep things interesting, but by the end it all gets a bit much. In small doses, though, it's great, and early Swans really is like little else on the planet before or since.


pro-tip: należy odtwarzać tę płytę GŁOŚNO, gdyż została ona nagrana prawdopodobnie na "żywca" bez milionów mikrofonów boskiej jakości. Zresztą, takie samo info pojawiło się na wydaniu CD.
Opublikowano (edytowane)

Nie znałem wcześniej, przesłuchałem, dobre.

 

Zapomniałem dodać że zawsze kojarzyli mnie się z muzyką a'la country ;] Sam nie wiem czemu. No ale teraz już wiem co to.

Edytowane przez koval
Opublikowano

spoko, zamierzam przerobic rozne okresy ich rozwoju, bo co zaczeli grac a na czym skonczyli to lata swietlne :]

 

btw. wspomnienia Giry z okresu Filth

 

This is all slabs of sound, rhythm and screaming/testifying. What more do you need? In a way, it was a reaction against Punk (and just about any other music you can think of), and the conservative notion that 3 chords were somehow necessary. I used to deny it vehemently at the time, but No Wave (I "hated" that scene too, for some reason I can't remember now) played a big role as the germ from which this music grew, along with The Stooges and Throbbing Gristle, of course. I wanted Swans to be "heavier" though “ I wanted the music to obliterate - why, I don't remember! I think it just felt good. Live, we used two basses (playing utterly unmusical chords that were stabbed and left to sustain or sometimes hit in staccato or opposing rhythms), drums, a "percussionist" that slammed down on a metal table with a metal strap, crude cassette loops of various sounds/noises (usually some kind of undefined ROAR), and Norman Westberg's glorious sustained and screaming guitar chords. It was pretty elating to play live - for us. If 100 people showed up (which would have been a huge audience at the time - 20 was more the average), 80 were guaranteed to leave by the second song. Somehow that tension - contempt or indifference from the audience - was nourishing, so we kept going.

 

Here's some music I was listening to at the time: Throbbing Gristle, Psychic TV, The Stooges, Brian Eno, Teenage Jesus And The Jerks, DNA, The Contortions, Glenn Branca, Black Flag, early Pink Floyd, This Heat, Kraftwerk, The Germs, Cabaret Voltaire, Can, Public Image LTD., SPK

- Michael Gira/Young God Records 2008

 

i nagranie live utworu "Fool" (oryginalnie na epce Young God) z DVD "A Long Slow Screw" z '86 (całość do znalezienia na exo albo na slsk)

 

One of the trademarks of Swans' early period was playing at painfully loud volumes during concerts, to the point where some audience members would vomit or the police would stop the show. This lent a reputation to the name Swans which was one of the contributing factors in Gira's retirement of the band in 1997.
Gość _Milan_
Opublikowano

no fajna ta plyta, brzmi jak Big Black, tylko ze ten drugi chyba jednak ciekawszy.

Opublikowano

dobra, jedziemy dalej

 

Childrenofgod.jpg

Children of God [1987]

 

Swans - [Children Of God #01] New Mind [5:12]

Swans - [Children Of God #02] In My Garden [5:36]

Swans - [Children Of God #03] Our Love Lies [4:31]

Swans - [Children Of God #04] Sex, God, Sex [6:37]

Swans - [Children Of God #05] Blood And Honey [4:47]

Swans - [Children Of God #06] Like A Drug (Sha La La La) [5:34]

Swans - [Children Of God #07] You're Not Real, Girl [4:17]

Swans - [Children Of God #08] Beautiful Child [4:52]

Swans - [Children Of God #09] Blackmail [3:32]

Swans - [Children Of God #10] Trust Me [4:59]

Swans - [Children Of God #11] Real Love [6:21]

Swans - [Children Of God #12] Blind Love [7:45]

Swans - [Children Of God #13] Children Of God [4:22]

 

Part 1

Part 2

 

w Swansach zachodza pierwsze poważne zmiany, najważniejszym czynnikiem jest chyba dołączenie do składu Jarboe, która gra na klawiszach i zapewnia drugie wokale. Jest lżej - i to o wiele. Pojawiają się elementy czysto akustyczne, teksty są często melorecytowane lub śpiewane a sama muzyka jest o wiele bardziej melodyjna i harmoniczna. Nadal pozostał w tej muzyce ten dziki pazur, który w połączeniu z innymi, nowymi elementami daje dość surrealistyczny i psychodeliczny klimat. Komentarz Giry:

 

By 1986/7 Swans had run its course with the physical assault of sound that we had employed previously for the most part. I wanted to move on to other things and didn’t want to get stuck in some style, which in our case had the potential of becoming cartoonish if we’d continued in that direction. So I pushed the music into unfamiliar territory. We spent 6 weeks in an old isolated medieval sawmill in Cornwall England “experimenting” and hashing things out. Even though there was the inevitable tension between myself and the musicians at that time, I remember that episode fondly and miss everyone involved…sigh. Everyone did a great job musically, as well as imbibing with enthusiasm the local brews and eating huge amounts of free food. Jarboe came more to the fore as a presence too. The line up of Gira / Kizys / Westberg / Jarboe / Parsons was a really good version of the band - one of the best live versions of Swans ever – actually much more intense and visceral in performance than in the nuanced takes of the songs on these recordings. Lyrically, I’d always seized on abstract subjects like money/power/sex/work, etc., and I was watching a lot of Jimmy Swaggart on TV (the televangelist), and I thought he was a great rock performer, so I stole his thunder as best I could. I didn’t want to mock the religious impulse, which would have been a typical thing to do at the time, but instead to get inside it. Everyone wants to lose themselves in something bigger than they are. I don’t know if this is a bad thing or a good thing. Anyway, Children Of God was a major turning point for Swans and the musical tendencies that are first engendered here were fertile ground for the remaining future records.

- Michael Gira/Young God Records 2008

 

Ewentualne sample jeżeli ktoś chce sprawdzić przed ściągnięciem

Opublikowano
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Swans - White Light From The Mouth Of Infinity [1991]

Swans - [White Light From The Mouth Of Infinity #01] Better Than You [5:53]
Swans - [White Light From The Mouth Of Infinity #02] Power And Sacrifice [5:39]
Swans - [White Light From The Mouth Of Infinity #03] You Know Nothing [5:48]
Swans - [White Light From The Mouth Of Infinity #04] Song For Dead Time [5:27]
Swans - [White Light From The Mouth Of Infinity #05] Will We Survive [6:53]
Swans - [White Light From The Mouth Of Infinity #06] Love Will Save You [6:09]
Swans - [White Light From The Mouth Of Infinity #07] Failure [6:22]
Swans - [White Light From The Mouth Of Infinity #08] Song For The Sun [5:05]
Swans - [White Light From The Mouth Of Infinity #09] Miracle Of Love [6:45]
Swans - [White Light From The Mouth Of Infinity #10] When She Breathes [5:06]
Swans - [White Light From The Mouth Of Infinity #11] Why Are We Alive? [5:32]
Swans - [White Light From The Mouth Of Infinity #12] The Most Unfortunate Lie [5:02]


Download


Mistrzostwo.

The opening track "Better Than You" almost says it all: Starting with the wail of an infant, then suddenly crashing into surging music that mixes quick, energetic drums with bells and other instruments, the song turns into a dramatic acoustic guitar/percussion piece with Gira's brooding voice and Jarboe's haunting backing; after some re-developments of the themes, it ends with a beautiful restatement of the sung section with additional guitar and bell sounds. At once incredibly destructive and astoundingly life-affirming -- and worth the entire Burning World album several times over -- "Better Than You" demonstrates that Swans had emerged from their major-label fiasco even more powerful and artistic than before, aiming for an awesome, all-encompassing majesty in their music that the admittedly hypnotic earlier versions of the band, in their brute forcefulness, simply could not have achieved. Interestingly, a number of players from Burning World and other Bill Laswell associates parti(pipi)ate on White Light, but here Gira as sole producer marshals everyone's collective efforts to heights that Laswell either was unwilling or unable to do. Also notably, Westberg is all but absent on guitar, with new arrival Clinton Steele taking the fore as the major instrumentalist after Gira and Jarboe themselves. Picking out all the highlights from such a stunning disc is practically impossible, but three of the flat-out classic marvels here are: "You Know Nothing," with its simply lovely introduction and Gira's commanding singing; "Song for Dead Time," a gentle Jarboe-sung number filled out by a simple but effective string-synth arrangement; and "Failure," carried by a buried guitar strum, Gira's Sisyphean lyric, and brief, lush choruses. Simply put, this is out and out brilliant as the clear starting point for the second half of Swans' unique career.
  • 1 miesiąc temu...
Opublikowano
celebrity.jpg
Swans - Celebrity Lifestyle - Mother/Father [1994]

Swans - [Celebrity Lifestyle · Mother/Father #01] Celebrity Lifestyle [4:10]
Swans - [Celebrity Lifestyle · Mother/Father #02] Mother/Father [4:07]
Swans - [Celebrity Lifestyle · Mother/Father #03] You Know Everything (Reprise 1990) [4:30]


Download


singielek pełen zajebistości
  • 1 miesiąc temu...
Opublikowano

S W A N S

 

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http://en.wikipedia.org/wiki/Swans_(band)

http://www.swans.pair.com/

 

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Swans

1982

EP

discogs

 

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Filth

1983

LP

discogs

 

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Cop

1984

LP

discogs

 

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Young God

1984

EP

discogs

 

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Greed

1985

LP

discogs

 

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Time Is Money (Bastard)

1985

Single

discogs

 

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A Screw

1986

Single

discogs

 

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Holy Money

1986

LP

discogs

 

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Public Castration Is A Good Idea

1986

Live

discogs

 

do6lu9.jpg

Children of God

1987

LP

discogs

 

New Mind

1987

Single

discogs

 

Feel Good Now

1987

Live

discogs

 

 

Real Love

1987

Live

discogs

 

 

Love Will Tear Us Apart

1988

Single

discogs

 

Live Amsterdam

1988

Live

discogs

 

Live Ljubljana

1988

Live

discogs

 

 

Live Harlem

1988

Live

discogs

 

Can't Find My Way Home

1989

Single

discogs

 

Saved

1989

Single

discogs

 

 

The Burning World

1989

LP

discogs

 

 

Anonymous Bodies In An Empty Room

1990

Live

discogs

 

 

Body To Body Job To Job

1991

Compilation

discogs

 

Live In Brno 1987

1991

Live

discogs

 

 

[td]White Light From The Mouth Of Infinity

1991

LP

discogs

 

 

Love Of Life

1992

LP

discogs

 

 

Love Of Life / Amnesia

1992

Single

discogs

 

Omniscience

1992

Live

discogs[

 

Cop/Young God

1992

Compilation

discogs

 

Greed/Holy Money

1992

Compilation

discogs

 

Celebrity Lifestyle · Mother/Father

1994

Single

discogs

 

The Great Annihilator

1994

LP

discogs

 

Kill The Child - Live 1985-87

1995

Live

discogs

 

 

Failure/Animus

1996

Single

discogs

 

Die Tür Ist Zu

1996

LP

discogs

 

Soundtracks For The Blind

1996

LP (x2)

discogs

 

 

Children Of God/World Of Skin

1997

Compilation (x2)

discogs

 

I Am The Sun

1997

Live/Single

discogs

 

 

Swans Are Dead

1998

Live (x2)

discogs

 

 

Cop/Young God/Greed/Holy Money

1999

Compilation (x2)

discogs

 

 

Various Failures 1988-1992

1999

Compilation (x2)

discogs

 

Filth/Body To Body, Job To Job

2000

Compilation (x2)

discogs

 

 

Forever Burned

2003

Compilation

discogs

 

 

http://rapidshare.com/files/223953532/1982_-_Swans.rar
http://rapidshare.com/files/223954471/1983_-_Filth.rar
http://rapidshare.com/files/223954996/1984_-_Cop.rar
http://rapidshare.com/files/223955427/1984_-_Young_God.rar
http://rapidshare.com/files/223956448/1985_-_Greed.rar
http://rapidshare.com/files/223957108/1985_-_Time_Is_Money__Bastard_.rar
http://rapidshare.com/files/223957446/1986_-_A_Screw.rar
http://rapidshare.com/files/223958652/1986_-_Holy_Money.rar
http://rapidshare.com/files/223959940/1986_-_Public_Castration_is_a_Good_Idea.rar
http://rapidshare.com/files/223961382/1987_-_Children_of_God.rar
http://rapidshare.com/files/223962803/1987_-_Feel_Good_Now.rar
http://rapidshare.com/files/223963013/1987_-_New_Mind.rar
http://rapidshare.com/files/223963930/1987_-_Real_Love.rar
http://rapidshare.com/files/223965021/1988_-_Amsterdam.rar
http://rapidshare.com/files/223967842/1988_-_Live_Ljubljana.rar
http://rapidshare.com/files/223967012/1988_-_Live_in_Harlem.rar
http://rapidshare.com/files/223968177/1988_-_Love_Will_Tear_Us_Apart.rar
http://rapidshare.com/files/223968469/1989_-_Can_t_Find_My_Way_Home.rar
http://rapidshare.com/files/223968617/1989_-_Saved.rar
http://rapidshare.com/files/223969513/1989_-_The_Burning_World.rar
http://rapidshare.com/files/223970066/1990_-_Anonymous_Bodies_In_An_Empty_Room.rar
http://rapidshare.com/files/223971996/1991_-_Body_to_Body_Job_to_Job.rar
http://rapidshare.com/files/223973078/1991_-_Live_Brno_1987.rar
http://rapidshare.com/files/223974210/1991_-_White_Light_From_the_Mouth_of_Infinity.rar
http://rapidshare.com/files/223975558/1992_-_Cop_-_Young_God.rar
http://rapidshare.com/files/223977167/1992_-_Greed_-_Holy_Money.rar
http://rapidshare.com/files/223978680/1992_-_Love_of_Life-Amnesia.rar
http://rapidshare.com/files/223978099/1992_-_Love_of_Life.rar
http://rapidshare.com/files/223979772/1992_-_Omniscience.rar
http://rapidshare.com/files/223980440/1994_-_Celebrity_Lifestile_-_Mother-Father.rar
http://rapidshare.com/files/223982585/1994_-_The_Great_Annihilator.rar
http://rapidshare.com/files/223984081/1995_-_Kill_The_Child_-_Live_1985-87.rar
http://rapidshare.com/files/223984900/1996_-_Die_Tur_Ist_Zu.rar
http://rapidshare.com/files/223985178/1996_-_Failure-Animus.rar
http://rapidshare.com/files/227831775/1996_-_Soundtracks_For_The_Blind.part1.rar
http://rapidshare.com/files/227833189/1996_-_Soundtracks_For_The_Blind.part2.rar
http://rapidshare.com/files/227835316/1997_-_Children_of_God_-_World_of_Skin.part1.rar
http://rapidshare.com/files/227836064/1997_-_Children_of_God_-_World_of_Skin.part2.rar
http://rapidshare.com/files/223985453/1997_-_I_Am_the_Sun.rar
http://rapidshare.com/files/227838311/1998_-_Swans_are_Dead.part1.rar
http://rapidshare.com/files/227839537/1998_-_Swans_are_Dead.part2.rar
http://rapidshare.com/files/227841754/1999_-_Cop-Young_God_-_Greed-Holy_Money.part1.rar
http://rapidshare.com/files/227842531/1999_-_Cop-Young_God_-_Greed-Holy_Money.part2.rar
http://rapidshare.com/files/223988051/1999_-_Various_Failures_1988-1992.rar
http://rapidshare.com/files/223990800/2000_-_Filth_-_Body_to_Body__Job_to_Job.rar
http://rapidshare.com/files/223992248/2003_-_Forever_Burned.rar

 

 

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